An interesting paradox is that this poem was never written by Mayakovsky. Just before his death, he wrote only an introduction to it, which he devoted to the first Soviet five-year plan in late 1929 - early 1930.
Coming to the topic "Analysis:" At the top of his voice "Mayakovsky", it should be noted that the poet timed this verse to the anniversary exhibition - the 25th anniversary of his career. He himself, speaking to the assembled audience, said that this work fully and completely reflects everything that he had worked on all these many years, and presented it as a report on the creative work done. So, without suspecting it, he continued with this the classic theme of the "monument", begun by Derzhavin and Pushkin.
"Out loud", Mayakovsky: analysis
In this introduction, the famous poet opposes himself to pure art, which does not recognize any politics. It is in this role that the general impression is formed about his attitude towards creativity in general and towards its individual representatives in particular.
In a way, it became a kind of message to future descendants. The poet seems to assess himself with a glance from the future, looking into the present, where he immediately strikes with the lines: "I, a sewer truck and a water carrier, mobilized by the revolution ...".
With these words, he creates a certain image of poetry without meaning and purpose, which he sarcastically and sharply ridicules, calling him a "capricious woman."
Poems as a tool
His poems are not just lines on paper, he uses them as a serious weapon in the struggle for the communist cause.
The poet-agitator hints that he is not afraid of the government, or "lyric volumes", or "the ridges of the centuries". Mayakovsky openly declares this at the top of his voice. The analysis of the work comes down to the fact that his weapon does not injure or kill a person, but it can very strongly strike the soul and heart of a person. He writes prophetic lines in which he hints that his poems are lead and ready to die.
Inspiration
Mayakovsky wrote all his most desirable in the poem "At the top of his voice". Its analysis suggests that everything the poet did was not created at all for aesthetic pleasure, because it builds, inspires and fights against meaninglessness, moves forward and leads the masses. He thought that his vocation was to realize socialist dreams and go with the broad masses to a bright future.
The writer calls: "Die my verse as a private." He believes that for public welfare the poet must work by the sweat of his brow, forgetting about himself and not thinking about reward, sacrificing his creativity.
He writes in his poem that, except for a freshly washed shirt, he does not need anything, and that the poet and society are inseparable.
Destiny and Motherland
Continuing the theme “Mayakovsky's“ Out loud ”: analysis of a poem”, it should be noted that the real creator calls the descendants clever and healthy, and, in his opinion, they should remember how hard they paid for everything, he compared it with licking the “consumption spitting. "
It is a little surprising, but Vladimir Vladimirovich describes the future, that the “communist far away” has already come, in which he put maximum efforts, because every working day that has come he invested in the future.
The poet considers it his civic duty - to build a worthy future, and this desire literally weakened his soul.
Cry from the heart
Mayakovsky shouts about this in his poem "At the top of his voice". The analysis of the introduction says that the poet inspires the people to build a bright future, and that everyone should remember those who were involved in the battle for socialism and communism, and not forget their desperate work. Their soul lives in every line of it and will surely pass through the centuries.
The great ideologist addresses them as those who truly believe in communism, and expresses himself as a descendant of these people who can no longer imagine what could be believed so sincerely and deeply, and whether there will be as much strength as there was in the forefathers of the October Revolution.
Conclusion
From the introduction to the poem "At the top of his voice," it became clear that it was in some form a will, written almost three months before his tragic death. This question is even more interesting, since it remained unclear whether the poet was killed or it was suicide. Many historians and forensic experts, examining all the facts, documents and evidence, came to the conclusion that he was killed after all. And they killed him because he began to delve into the affairs of Stalin's government, which deviated from the Leninist course that millions of people so dreamed of. This is a dark matter, the same as with Yesenin.
However, the most interesting thing is that his faith still began to waver at the end of his life, and he had his own reasons for this. Even such a notorious communist will eventually burst out of the soul on the evening of April 13, 1930, "Oh, Lord!" At this moment, next to him will be his beloved woman, Polonskaya, who will be very surprised at this exclamation and will ask him again about whether he is a believer. And Vladimir will answer her that he himself does not understand what he believes in ...
Mayakovsky is convinced that the main purpose of the poet and poetry in the revolutionary era is to serve the cause of the triumph of a new, truly just social system. He is ready to do any rough work in the name of the happiness of people:
I am a flusher
and a water carrier,
revolution
mobilized and called up,
went to the front
from the master's gardening
poetry -
capricious women.
The poet admits:
And me
agitprop
imposed in the teeth,
and I would
scribble at you -
it is more profitable
and prettier.
But I
myself
humbled
becoming
on the throat
own song.
Mayakovsky felt himself to be an "agitator", a "throat-leader" and believed that his verse
... will come
over the ridges of centuries and over the heads of poets and governments.
The poet was ready to sacrifice his poetry to the revolution:
Let it go
for geniuses
inconsolable widow
glory is woven
in a funeral march -
die my verse
die like a private
like nameless
our assaults died!
He, unlike his predecessors, starting with Horace, rejected an individual poetic monument:
I do not care
on bronzes many puddles,
I do not care
on marble slime.
Let's count as glory -
because we are our own people -
let us
common monument will
battle-built socialism.
Mayakovsky compared his poems with "over the teeth of the armed troops" and gave them, "to the very last leaf," to the proletarians of the entire planet. He argued:
Working
enemies of the class -
he is an enemy and mine,
notorious and long-standing.
They told us
go
under the red flag
years of work
and days of malnutrition.
Mayakovsky convinced his readers: the main purpose of the poet today is to serve the cause of the socialist revolution. But his poetry must be not only revolutionary in content, but also highly perfect in form in order to survive through the centuries, to convey to the descendants the greatness of the era of revolution and the construction of socialism. Also, in his last public speech at an evening dedicated to the twentieth anniversary of his creative activity, Mayakovsky lamented that "every minute we have to prove that the work of a poet and the work of a poet is a necessary work in our Soviet Union."
He himself did not doubt for a second that his poems were no less important for the good of the revolution and socialism than the mining of ore, the smelting of steel, the armed suppression of the counter-revolution or the work of the party to organize socialist construction. Because they strengthen in the souls of people faith in the righteousness of the Bolshevik revolution, in the imminent attainability of a bright communist future. Mayakovsky died with this faith.
The poem by Vladimir Mayakovsky "With the Whole Voice" is a very strong and frank work. Studying it in the school curriculum is like reading "The Gulag Archipelago" by A. Solzhenitsyn in the 5th grade. To understand such a deep work, you need to have at least two or three decades behind you. The poet himself did not live to see forty, but his perception of life is many times larger and more complete than that of the average person.
Where to start the analysis of Mayakovsky's poem "Out loud"
Initially, the work was listed as an introduction to the poem, but it was not completed, and what came down to us took shape in a completely finished poem. Traditionally, when analyzing Mayakovsky's "Out of the Voice", the work is called a poem.
As a direct person, the author begins his creation with the address "Dear comrades, descendants ...". Very intelligent, isn't it, considering the customs of the young futurist poet, who liked to shock the audience with expressions that were far from artistic. However, even here the poet will not change his tradition: "rummaging through today's petrified shit ...". Opposition is the most favorite technique of the master, if he gently lays down at the beginning of a sentence, then expect a "hot" word at the end. This is the whole Vladimir Vladimirovich. According to the stories of his relatives and friends, the poet was a rather modest and very sensitive person, and as for personal relationships, he was completely shy, romantic and very vulnerable.
The key idea of \u200b\u200bthe poem is contained in the lines "I myself will tell about time and about myself." Choosing this path, the poet is left with one thing: the truth and nothing else. And if we take into account the realities of the time when Mayakovsky's poem was written, then apart from metaphors and allegories, the poet had no other means to express himself and pass the censorship. And he did it, really worthy! His verse sounds harsh and straightforward:
I, a water tank truck, mobilized and drafted by the revolution, went to the fronts of the lordly gardening of poetry - a capricious babe.
The whole poem as a whole is imbued with revolutionary pathos, politically "colored". But behind the outer side of the verse, you can notice the inner poetry and play on words. This is very important to take into account when analyzing Mayakovsky's "Out of the Voice".
Mayakovsky rhyme
In the field of rhyme and versification, Vladimir Vladimirovich is the most skillful theorist and practitioner. Everyone knows his work "How to write poetry". But his work is broader and more revealing than any treatise.
"Finding - a weapon, caress - a hair, Hegel - ran" - this is the standard rhyme for the poet. She is always rich, sophisticated in Mayakovsky. The poet finds options for rhyming where, it would seem, it cannot be, changing the stress, rearranging and remaking the words as he sees fit. Maybe that's why his poems are always full of neologisms.
To feel and understand the style and verse of Mayakovsky, you need to re-read it more than once. And then the analysis of Mayakovsky's "At the top of his voice" will become simpler and more effective. In addition to the structure of the verse, which is difficult for an unprepared reader, the arrangement of the stanzas, the poet has a maximum of semantic load in the minimum of words. Anyone who understands the lyrical hero of Mayakovsky will see much more than the average reader.
What did the poet want to say?
At first glance, this is implicit, but in the poem the author gives a characterization of his poetry, his creative credo. In other words, the poet talks about his destiny, about the future of the country and mankind as a whole, about poetry as a powerful weapon. Distant goals, reflections on the present, on the strength of the spirit, on will, on the everyday painful creative process merged together. The entire work is imbued with one important thought: writing for future generations is very responsible, it is hard work that will not pay off with fame or money.
I am not accustomed to caressing a girl's ear; I will not be touched by a girl's ear in curls of hairs of semi-obscurity. Parade unfolding my pages of the army, I pass through the line front.
Vladimir Mayakovsky knew the value and power of the poetic word, and therefore understood his responsibility to society and time. As much as he would not like to write about personal things, about relationships, he preferred to remain a poet-fighter and agitator for the masses. But the intimate poetry of the poet of the proletarians is his strong point, which has always remained in the shadows. Mayakovsky's love is a piercing, passionate, tender, hopeless and, at the same time, the strongest feeling. He, like no one else, turned his soul out and declared in poetry that it hurts to love. But let us return to the analysis of Mayakovsky's unfinished "At the top of his voice".
His "cavalry of jokes" are always ready for battle, "raising their rhymes sharpened pikes." Bequeathing his poems to us, he gives the order to fight further without him, with the belief that his life and work will not be lost, not forgotten, and the goals set will be achieved.
Poetic language of the poem "At the top of his voice" by Vladimir Mayakovsky
In the poem, as in the entire creative heritage of Vladimir Vladimirovich, one can find his own "pearls" - neologisms. These are individually author's words, which are created by the poet himself, subordinating them to an artistic conception. "Curly - wiser", "mandolin" - from the name of a musical instrument, "glasses-a bicycle", "song-esenenny", "amorous-lyre", "lead-hard", "go wild". The poet loved and knew how to play with words, hence his unique style. In addition, in the poem, the master of the word now and then plays with sounds - alliteration for Mayakovsky's poems is the norm. Notice how in the next quatrain he chooses words with the sounds "g" and "l":
Listen, comrade descendants, the agitator, the throat-leader. Drowning out the flow of poetry, I will step through the lyrical volumes as if speaking alive.
And in the following lines, the masterfully performed alliteration ("p", "p" and "l") is clearly traced:
And all to the top of the teeth are the armed troops that flew for twenty years in victories, until the very last leaflet I give you, the proletarian planet ...
It is impossible not to mention such a stylistic tool as inversion, or, more simply, the permutation of words in a sentence. When analyzing Mayakovsky's poem "Out loud", it is worth considering that most of the sentences are inversion. This technique helps to highlight words by focusing attention on them. To understand the meaning of a phrase, sometimes you have to re-read the lines several times. This is poetry in Mayakovsky style, it is complex, like the character and soul of the poet.
And yet he is the best!
Despite the fact that the poet “trampled” his life, as in a poem, quickly enough, and it was sometimes difficult for him, Vladimir Mayakovsky is a genius poet! In Russian literature, no one appeared who could just as strongly and uncompromisingly turn everything is upside down and overshadow its glory. Let the party cards and the Central Committee no longer exist, there is the power of the poetic thought of the great poet, he is relevant, irreconcilable and always alive in his poems.
V. Mayakovsky managed to write only the introduction to the poem "Out loud". In the center of the introduction is the personality of the poet himself, addressing the descendants, introducing himself to them - the creator, "sewer and water carrier", "mobilized and called by the revolution", "agitator, throat-leader". The poet rejects chamber art, created by various "curly Mitreys" and "wise Kudreyks" who "mandolin from under the walls: /" tara-tina, tara-tina, / t-en-n ... ". He affirms the importance of the poetry of work, a laborer, which is the result of exhausting, but noble, overcoming, time-conquering labor.
Poetry V. Mayakovsky equates not only to rough hard work, but also to the "old, but formidable weapon", believes that she should not caress "the ear with a word", please a girl's ear, but serve, like a warrior, "the planet to the proletarian." To confirm this main thesis, the work uses a detailed metaphorical comparison of artistic creation with a military show - a parade in which poems, poems, witticisms, rhymes participate.
The work affirms the importance of poetry serving the working class, covered with a red flag, born in battles and battles (“When / under bullets / the bourgeoisie fled from us, / as we / once / ran from them”).
The second idea of \u200b\u200bthe introduction is about the disinterestedness of artistic creativity, which is especially active in the concluding part of the work. V. Mayakovsky is expressed laconically, emotionally, his words sound like an oath of loyalty to the people, descendants.
And one more idea runs through the work - a polemic, critical attitude to "poetic snatches and burns", to supporters of lightweight poetry, not programmed for "laborer feat".
In terms of genre, the poem was conceived as a lyric and journalistic, but the introduction to it has the form of a monologue written in the best traditions of oratory and oratory. Hence, numerous appeals ("Dear comrades, descendants!" ). However, in general, the introduction maintains a direct word order.
As in previous works, V. Mayakovsky successfully uses expressive tropes - epithets ("old but formidable weapon", "poems are lead-heavy", "gaping titles"), metaphors ("swarm questions", "tuberculosis spit out", “The throat of our own song”, “line front”), comparisons (“poetry is a capricious woman”, “We opened / Marx / each volume / as in our own house / we open shutters”).
In the style of V. Mayakovsky in the introduction to the poem - the use of the original author's, root, compound rhymes: "descendants - darkness", "swarm questions - raw", "water carrier - gardening", "descendants - volumes", "provincial - governments", "Hunting - it comes", etc. Many of the poet's rhymes are innovative, consonant, in which consonance of consonant sounds is observed. V. Mayakovsky often rhymes different parts of speech. The great master-creator of words cannot do without neologisms ("burn out" - burners of life, "consumptive spitting", "not to spill" (from the word "scarlet"), "worked", "mandolin").
Mayakovsky's poem "With the Whole Voice" was written by the author in poetic form. With great regret, the poem was not published, so the readers were not honored with the opportunity to familiarize themselves with it. The poem was written back in the 30s, which was exhibited as an exhibit at an exhibition of twenty years of Mayakovsky's work. According to Mayakovsky, the first lines of the poem are written as a reflection of the essence of the poet's work, which became the start in the author's creative work. The idea of \u200b\u200bwriting "Out of the Voice" was to look at oneself from the future: "Dear comrades, descendants! Studying the darkness of our days. "
From these lines it is immediately clear that the poet writes them for the future generation, and also talks about himself. But Mayakovsky also writes lines, simply indulging in poetry, but joking a little about the woman who planted the garden: "I planted the garden nicely, my daughter, dacha, water and smooth surface, I will water it myself."
With his poems, the poet seriously fought for the communist cause, not fearing either the government or secret organizations. With lines from poetry, he simply pierced the soul of the Soviet people: “The troops unfolded my pages as a parade. Poems are hard lead.
During the revolution, everything changed very quickly. This meant that Mayakovsky must enter this pace, join the people, and together with them reorganize the world to a new, socialist direction. With his poetry, he moved forward, while this set this movement for the rest. To recognize this poetry meant to make your intentions real, striving step by step towards a bright, beautiful future.
With these lines the poet finished his verse "At the top of my voice": "I will raise, like a Bolshevik party card, all one hundred volumes of my party books." His poems made you think about many things. They awakened the people to act, which, according to his plan, the poet was striving for.